AMAZING GRACE IN CHEROKEE - NATIVE AMERICAN

Amazing Grace

Amazing grace! How sweet the sound

That saved a wretch like me!

I once was lost, but now am found;

Was blind, but now I see.

'Twas grace that taught my heart to fear,

And grace my fears relieved;

How precious did that grace appear

The hour I first believed.

Through many dangers, toils and snares,

I have already come;

'Tis grace hath brought me safe thus far,

And grace will lead me home.

The Lord has promised good to me,

His word my hope secures;

He will my shield and portion be,

As long as life endures.

Yea, when this flesh and heart shall fail,

And mortal life shall cease,

I shall possess, within the veil,

A life of joy and peace.

The world shall soon dissolve like snow,

The sun refuse to shine;

But God, who called me here below,

Shall be forever mine.

When we've been there ten thousand years,

Bright shining as the sun,

We've no less days to sing God's praise

Than when we'd first begun.

Read more: http://digitaljournal.com/article/110608#ixzz2UMLOGyYY

Jonny Cash, AS Long as the Grass Shall Grow

 "As Long As The Grass Shall Grow"  


As long as the moon shall rise as long as the rivers flow
As long as the sun will shine as long as the grass shall grow
The Senecas are an Indian tribe of the Iroquios nation
Down on the New York Pennsylvania Line you'll find their reservation
After the US revolution cornplanter was a chief
He told the tribe these men they could trust that was his true belief
He went down to Independence Hall and there was a treaty signed
That promised peace with the USA and Indian rights combined
George Washington gave his signature the Government gave its hand
They said that now and forever more that this was Indian land
As long as the moon shall rise...
On the Seneca reservation there is much sadness now
Washington's treaty has been broken and there is no hope no how
Across the Allegheny River they're throwing up a dam
It will flood the Indian country a proud day for Uncle Sam
It has broke the ancient treaty with a politician's grin
It will drown the Indians graveyards cornplanter can you swim
The earth is mother to the the Senecas they're trampling sacred ground
Change the mint green earth to black mud flats as honor hobbles down
As long as the moon shall rise...
The Iroquios Indians used to rule from Canada way south
But no one fears the Indians now and smiles the liar's mouth
The Senecas hired an expert to figure another site
But the great good army engineers said that he had no right
Although he showed them another plan and showed them another way
They laughed in his face and said no deal Kinuza dam is here to stay
Congress turned the Indians down brushed off the Indians plea
So the Senecas have renamed the dam they call it Lake Perfidy
As long as the moon shall rise...
Washington Adams and Kennedy now hear their pledges ring
The treaties are safe we'll keep our word but what is that gurgling
It's the back water from Perfidy Lake it's rising all the time
Over the homes and over the fields and over the promises fine
No boats will sail on Lake Perfidy in winter it will fill
In summer it will be a swamp and all the fish will kill
But the Government of the USA has corrected George's vow
The father of our country must be wrong what's an Indian anyhow
As long as the moon shall rise (look up) as long as the rivers flow (are you thirsty)
As long as the sun will shine (my brother are you warm) as long as the grass shall grow


...............................................


 Bitter Tears: Ballads of the American Indian is a concept album and twentieth album released by country singer Johnny Cash in 1964 on Columbia Records. It is one of several Americana records by Cash; as its title implies, the tracks on the album focus exclusively on the history of and problems facing Native Americans in the United States. Cash had been convinced that his ancestry included members of the Cherokee tribe, and this partly served as inspiration for recording Bitter Tears, but later on as he began researching his ancestry, he actually had no Cherokee ancestry, but Scottish, English, and Scots-Irish ancestry. Throughout the album, Cash concentrates on the harsh and unfair treatment of the indigenous peoples of North America.

The songs were written in part by Cash himself and in part by Peter La Farge, with the final track credited to Cash and Johnny Horton. The first song, "As Long as the Grass Shall Grow", concerns the loss of Seneca nation land in Pennsylvania due to the construction of the Kinzua Dam in the early 1960s. Cash rerecorded it decades later and released it on Unearthed with the lyrics altered to describe his relationship with and devotion to June Carter Cash; the track itself was a duet with the latter. The one single from Bitter Tears that was released was "The Ballad of Ira Hayes", which reached No. 3 on the Country charts; the song tells the story of Ira Hayes, a young Marine of Pima descent who participated in the flag raising on Iwo Jima and became an instant celebrity, only to die drunk and in poverty on the Gila River Reservation where he was born.

[edit]

1. "As Long as the Grass Shall Grow" (Peter La Farge) – 6:10
2. "Apache Tears" (Cash) – 2:34
3. "Custer" (La Farge) – 2:20
4. "The Talking Leaves" (Cash) – 3:55
5. "The Ballad of Ira Hayes" (La Farge) – 4:07
6. "Drums" (La Farge) – 5:04
7. "White Girl" (La Farge) – 3:01
8. "The Vanishing Race" (Cash, Johnny Horton) – 4:02

Native American veterans memorial gets legislative push

By Katherine Boyle, Published: May 23 

Sen. Brian Schatz (D-Hawaii) introduced legislation Thursday to reauthorize the construction of a Native American veterans memorial on the Mall. A quirk of the original legislation, passed in 1994, allowed for the construction of the memorial but did not allow the National Museum of the American Indian to raise funds — a predicament for a memorial required to be built with private funds on the museum’s property. The new legislation allows the Smithsonian Institution to engage in fundraising and removes the responsibility from the National Congress of American Indians, a nonprofit organization originally tasked with finding resources. The legislation was first proposed by the late Sen. Daniel K. Inouye (D-Hawaii) and Sen. John McCain (R-Ariz.).

“American Indians, Alaska Natives and Native Hawaiians served in all of the American wars since the Revolutionary War,” Schatz said during a media call. “It is critical that we recognize their bravery and patriotism with a fitting memorial.”

(Oskar Garcia/AP) - U.S. Sen. Brian Schatz speaks at a news conference accepting an endorsement from the State of Hawaii Organization of Police Officers union in Honolulu on Friday, May 3, 2013. Schatz introduced legislation Thursday to reauthorize the construction of a Native American veterans memorial on the Mall.

 

Advocates noted that veterans memorials on the Mall do not recognize the contributions of Native Americans in American wars. Robert Holden, director of the National Congress of American Indians, said that while the Three Servicemen Statue at the Vietnam Veterans Memorial represents Caucasian, African American and Hispanic service members, it excludes Native Americans, and does not fully depict their contributions.

Planning for the size and scope of the memorial will begin if the legislation passes. The memorial would be on museum property, but the exact location has not been determined.

SOURCE:  http://www.washingtonpost.com/lifestyle/style/native-american-veterans-memorial-gets-legislative-push/2013/05/23/b8c545ee-c3e6-11e2-8c3b-0b5e9247e8ca_story.html

Johnny Cash...The Ballad of Ira Hayes

Iwo Jima Flag Raising

"The Ballad Of Ira Hayes"

Ira Hayes,
Ira Hayes

[CHORUS:]
Call him drunken Ira Hayes
He won't answer anymore
Not the whiskey drinkin' Indian
Nor the Marine that went to war

Gather round me people there's a story I would tell
About a brave young Indian you should remember well
From the land of the Pima Indian
A proud and noble band
Who farmed the Phoenix valley in Arizona land

Down the ditches for a thousand years
The water grew Ira's peoples' crops
'Till the white man stole the water rights
And the sparklin' water stopped

Now Ira's folks were hungry
And their land grew crops of weeds
When war came, Ira volunteered
And forgot the white man's greed

[CHORUS:]
Call him drunken Ira Hayes
He won't answer anymore
Not the whiskey drinkin' Indian
Nor the Marine that went to war

There they battled up Iwo Jima's hill,
Two hundred and fifty men
But only twenty-seven lived to walk back down again

And when the fight was over
And when Old Glory raised
Among the men who held it high
Was the Indian, Ira Hayes

[CHORUS:]
Call him drunken Ira Hayes
He won't answer anymore
Not the whiskey drinkin' Indian
Nor the Marine that went to war

Ira returned a hero
Celebrated through the land
He was wined and speeched and honored; Everybody shook his hand

But he was just a Pima Indian
No water, no crops, no chance
At home nobody cared what Ira'd done
And when did the Indians dance

[CHORUS:]
Call him drunken Ira Hayes
He won't answer anymore
Not the whiskey drinkin' Indian
Nor the Marine that went to war

Then Ira started drinkin' hard;
Jail was often his home
They'd let him raise the flag and lower it
like you'd throw a dog a bone!

He died drunk one mornin'
Alone in the land he fought to save
Two inches of water in a lonely ditch
Was a grave for Ira Hayes

[CHORUS:]
Call him drunken Ira Hayes
He won't answer anymore
Not the whiskey drinkin' Indian
Nor the Marine that went to war

Yeah, call him drunken Ira Hayes
But his land is just as dry
And his ghost is lyin' thirsty
In the ditch where Ira died

"The Ballad of Ira Hayes" was written by folk singer Peter La Farge. It tells the story of Ira Hayes, one of the five Marines and one Navy Corpsman who became famous for having raised the flag on Mount Suribachi during the Battle of Iwo Jima of World War II.

The song has been recorded many times; the most popular version is by Johnny Cash. 

Patrick Sky covered it on his self-titled 1965 debut album (and later for a 1985 album).

Pete Seeger covered the song on his 1963 Album Broadside Ballads Volume 2.

Bob Dylan followed suit by covering the song during his sessions for Self Portrait, though his version did not see release until Columbia used it as part of the Dylan album of 1973.

Townes Van Zandt covered this song during a rare television appearance, and at The Whole Coffeehouse, University of Minnesota Campus, November 9, 1973. 

Kinky Friedman did a cover of the song on his 1976 record Lasso from El Paso.

 

READ MORE:

https://en.wikipedia.org/wiki/The_Ballad_of_Ira_Hayes

Lost (BE HERE NOW)

LOST

Stand still.
The trees ahead and the bushes beside you Are not lost.
Wherever you are is called Here,
And you must treat it as a powerful stranger,
Must ask permission to know it and be known.
The forest breathes. Listen. It answers,
I have made this place around you,
If you leave it you may come back again, saying Here.

No two trees are the same to Raven.
No two branches are the same to Wren.
If what a tree or a bush does is lost on you,
You are surely lost. Stand still.
The forest knows Where you are.
You must let it find you.

An old Native American elder story rendered into modern English by David Wagoner, in The Heart Aroused - Poetry and the Preservation of the Soul in Corporate America by David Whyte, Currency Doubleday, New York, 1996.

Legends of the Kainai

Friday, April 19, 2013 | Categories: Episodes |  

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Legends of the Kainai: Stories from the Blackfoot People of southern Alberta

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Legends of the Kainai

Dramatizations of the old stories of the Blackfoot of southern Alberta, provide a glimpse into this ancient culture's sacred beliefs, traditions and heroes. CBC Radio's Legends Project compiles traditional oral stories, legends and histories of Canada's Inuit and First Nations, gathered in communities across the country.

To find out more, visit the Legends Project website.


This segment features dramatized versions of traditional Blackfoot legends recorded in March 2007, on the Blood Reserve in southwestern Alberta. These legends are only a small part of the many hours of stories told by Blackfoot elders of the Blood Tribe (Kainai), in their original language. It is the hope that these precious recordings will help preserve the endangered language of the Kainai and will showcase the traditional lifestyle, history, values and creation myths as they were shared by the Blackfoot for more than 10,000 years.

Once referred to as "Lord of the Plains" the Blackfoot Confederacy were one of the most feared and respected warrior nations. They dominated the plains from the Rockies to Saskatchewan, living nomadically in Niitoyisi (tipis) made from buffalo hides and poles. With the assistance of dogs and later horses, the Blackfoot followed the herds of buffalo, which provided them sustenance. They lived in camps made up of families and clans, adhering to a complex governing system and protocol. They shared stories, traditions and celebrations that reflected their vast knowledge of the land, sky, plants and animals. This knowledge helped them thrive for thousands of years on North America's prairies.

Compared to other First Nations the Blackfoot were colonized relatively late. Although there have been generations of assimilation through residential schools and other means, their cultural and sacred traditions, along with their language, remains intact. This continues to be threatened by dominant English media. Many traditional Blackfoot stories are still told today that explain rituals, sacred duties and ceremonies practiced since the beginning of time. Involvement in these sacred societies, such as the Horn, Dove and Crazy Dogs is often mandatory and it is these societies that have protected the cultural pride, belief system, songs, stories and Blackfoot ways of life, even though they were outlawed until recent times.

Source:  http://www.cbc.ca/ideas/episodes/2013/04/19/legends-of-the-kainai/

Invisible Indian: Federal Court grants rights to Métis, non-status Indians

 “ The growing and dying of the moon reminds us of our ignorance which comes and goes—but when the moon is full it is as if the Great Spirit were upon the whole world. ” 

—Black Elk, Oglala Sioux

Federal Court grants rights to Métis, non-status Indians

Off-reserve aboriginal people are 'Indians' and entitled to same constitutional rights

The Canadian Press

The federal government has lost the latest battle in a 13-year legal fight over its responsibilities to Métis and non-status Indians.
On Tuesday, the Federal Court ruled that 200,000 Métis and 400,000 non-status Indians in Canada are indeed "Indians" under the Constitution Act, and fall under federal jurisdiction.
The decision helps to more clearly outline Ottawa's responsibilities toward the two aboriginal groups.
"The recognition of Métis and non-status Indian as Indians under section 91(24) should accord a further level of respect and reconciliation by removing the constitutional uncertainty surrounding these groups," Federal Court Judge Michael Phelan writes.




Invisible Indian



source:
Federal Court grants rights to Métis, non-status Indians - Politics - CBC News

 http://www.cbc.ca/news/politics/story/2013/01/08/pol-cp-metis-indians-federal-court-challenge.html